EMILIA

Fräulein Emilia, conscripted into the German Army in the middle of World War ll, was assigned to the Luftwaffe Auxiliaries. She worked in aircraft observation and tracking, as well as ground control and plotting. She had various assignments that included such things as tracking enemy aircraft detected by radar or plot enemy bomber formations on large wall maps or tables using markers, strings, or lights. Emilia was not happy with the army life, but she wished to serve her country. So, she worked without complaining.

The hours were long and she, being a woman, constantly faced demeaning comments, unwanted touching as men passed by her or worked in close contact, and the fact that the men had chairs to sit on and the women, most women that is, had to stand on their feet throughout most of their working hours.

During her “off” time, she was subjected to films and lectures about the evil enemies, especially the Americans. They were demons, she was told. They would starve you should they capture you. They would do ungodly things to you; strip you naked and take advantage in awful ways. You would be beaten and forced into servitude. The pictures painted were frightening and made her more determined to help her country defeat the terrible enemy.

Emilia, along with most of the other women, were issued small pistols with a single bullet. They were instructed to use the bullet on themselves rather than be taken prisoner by the Allied demons. The very thought of capture frightened her, but the idea of taking her own life frightened her more. She prayed that it would never come to that.

The prayer went unanswered.

It was not dramatic when it happened. No alarms screaming at once, no final heroic stand. Just confusion layered on exhaustion. Orders contradicted themselves. Lines went dead. The wall map—once so precise—became a mess of frozen markers and unanswered signals.

By the time Emilia and the others were told to evacuate, there was nowhere left to go.

They were gathered in a courtyard at dawn, hands raised more from habit than fear. Emilia felt the weight of the pistol in her coat pocket. Her fingers brushed it once and then pulled away, as if it were already burning.

She did not pray this time.

The Americans arrived without shouting. That was the first thing that unsettled her. They were loud-looking men—big boots, heavy coats—but their voices were controlled, almost bored. One of them spoke slowly, pointing, guiding, not grabbing.

They were searched. The pistols were taken. Emilia felt an odd relief when hers was lifted from her pocket, as though a terrible decision had been quietly removed from her hands.

Transport came later: trucks, then trains, then a ship. The sea crossing was long, gray, and silent. Emilia expected cruelty at every turn. She expected hunger. She expected humiliation.

Instead, she was seasick—and someone brought her water.

When they arrived in America, she did not recognize it as such. She had imagined darkness, barbed wire, shouting. Instead, there was sun, dust, and the smell of something cooking she could not name.

They were led into a long room.

“Sit,” the guard said, gesturing.

No one moved.

The word echoed strangely in Emilia’s mind. Sit. It sounded like permission.

Greta, who had stood beside her for months in the plotting room, shifted first. She lowered herself onto a chair cautiously, her body tense as if bracing for a blow that never came. She remembered blows she had received in the war room in Germany, but here…

Nothing happened.

Emilia sat.

Her legs trembled—not from weakness, but from disbelief. The chair did not tip. No one yanked her back to her feet. She felt suddenly foolish, like a child who had forgotten how furniture worked.

They were given plates. Real plates. Food that steamed.

“Eat,” the guard said.

Emilia waited for the catch.

There was none.

The first bite made her eyes sting, and she hated herself for that. It was only soup. But it was thick, and warm, and unapologetically real. There were vegetables, chunks of chicken and a cream based broth. Greta laughed once—a short, startled sound—and then covered her mouth as if laughter itself might be forbidden. Emilia was startled by the laugh and then deathly afraid. Surely they would strike Greta down for this breach. Emilia looked around. All of the women had their heads bowed. It seemed all were now fearful of what would happen. Slowly, cautiously, one by one, heads lifted again. And as they did, a soldier came by. He had a large pot and a ladle in his hand.

“More?” he asked, lifting the pot.

Greta, her eyes wide, then again looking down, nodded without speaking. She almost smiled.

The ladle filled her bowl again.

That night, in clean barracks with bunks and blankets that did not smell of damp concrete, Emilia lay awake. Around her, other women whispered—not in fear, but confusion.

“They said we would be beaten,” one murmured.

“They said we would be stripped,” another said.

“They said we would not be treated as human,” Greta whispered.

Emilia stared at the underside of the bunk above her.

She thought of the lectures. The films. The certainty with which evil had been described. She thought of the single bullet she had once been told to save for herself, and of the relief she felt when they took it away from her.

No one had touched her. No one had shouted. No one had asked her to thank them. At that moment, she was determined to learn the English words “thank you”.

In the days that followed, the smallest things unsettled her most: guards holding doors open, meals served at regular times, questions asked instead of commands given.

Once, a guard placed a chair near where she stood waiting.

“You don’t have to,” he said gently, gesturing. “You can sit.”

Emilia sat.

And in that moment—feet flat on the floor, back supported, hands empty—she understood that the most dangerous lie she had been told was not about the enemy.

It was about the world.

And slowly, carefully, she began to unlearn it.

After more than two months in the American women’s prisoner-of-war camp, letters began to arrive.

They were handed out without ceremony, names called from a short list. Emilia had stopped expecting one. Her parents’ handwriting had always been firm and precise; she told herself that if they were alive, she would recognize it instantly.

As she stood with the other hopeful women, her name was called, and an envelope was handed to her. She recognized Gertrude’s handwriting at once.

The paper was thin and creased, the writing hurried, as if pausing too long over any word might invite despair. Emilia read it standing, then sitting, then again with her hands shaking. After her third reading she could not stop the tears from flowing.

The apartment building was gone.

There were no bodies to bury. Only a few neighbors who spoke in fragments, who gestured toward rubble and smoke and said that day, as if time itself had shattered along with the stone. Their parents. Their two younger brothers. All gone. Gertrude had survived only because she had been across the city, standing in a bread line that never reached its end.

There was no home to return to. No city left, really—only ruins and winter. Food came when it came. People disappeared quietly. One day there and the next gone. Cold and hunger, Gertrude wrote, were finishing what the bombs had begun.

Emilia folded the letter carefully and pressed it against her chest. She wiped the tears with her sleeve, feeling empty and hopeless. Knowing she could do nothing to help her sister.

As she folded the letter, putting it into her dress pocket, the breakfast bell rang.

She stood in line with the others, guilt settling over her like a second uniform. The smell of eggs turned her stomach. When the plate was set before her, she stared at it, eggs, potatoes, even a sausage link—this abundance, this regularity—she felt something like shame for surviving so well.

She ate anyway. Every bite she swallowed with remorse. Gertrude, I’m sorry. So sorry, she thought to herself.

She learned that guilt did not feed the dead.

That afternoon she wrote back. The letter was careful, restrained. She did not describe the food. She did not describe the chairs. She told Gertrude only that she was safe, that she was warm, and that she was trying to help.

When the offer came—repatriation or temporary stay—Emilia surprised herself by not hesitating.

Germany was no longer a place. It was a wound.

She stayed.

At first, she told herself it would be brief. Long enough to work, to send money, to arrange papers. But days became months, and the camp slowly emptied. The wire came down. The uniforms were replaced with borrowed clothes. Emilia found work in a laundry, then as a clerk, her English, still halting but determined. She often thought of the first two Engish words she learned—Thank You!

In 1948, Gertrude arrived.

She stepped off the train thinner than Emilia remembered, her coat too large for her frame. For a moment they stood facing each other, uncertain—two women shaped by the same loss in different ways.

Then Gertrude reached out.

They held each other for a long time.

They built a life quietly. Apartments with working windows. Jobs that paid regularly. English learned one word at a time. They met men who did not ask them to explain the war. Men who noticed when they stood too long and pulled out chairs.

They married. They raised children who spoke without German accents, who complained about school lunches, who asked questions about a country their mothers remembered only in pieces.

Sometimes, in the evenings, Emilia would sit at the kitchen table and watch her children eat, the table crowded and loud, the air full of warmth. She would think of a plotting room long ago, of standing until her legs ached, of a single bullet issued as mercy.

She would think of the first chair she was allowed to sit in.

And she would give thanks—not loudly, not publicly—but in the way one does when survival itself feels like grace.